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Showing content with the highest reputation on 08/07/2019 in all areas

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    Soulfinder

    Am I alright?

    Thanks for sharing bhen ji.
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    Mooorakh

    Am I alright?

    Most people may think that they are unwell if they encounter stages during #meditation #simran. @Soulfinder @tva prasadveerji
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    Just had an amazing experience. I was just laying down and heard my pulse but also found myself chanting "vahe-guru" with each heart beat. I tried to see if I was making up things so I tried to stop it but it didn't stop. It just kept going. My body was completely still like one in deep sleep to the point I thought I wasn't even in my body anymore.
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    LiquidSky

    Am I alright?

    You feel a connection, thats called empaty, most people already have it. You know what you should do, treat others as you treat yourself. Dont go around looking for rewards for doing this either, or doing it outwouldly just for show, be it. Know this, if you break someones heart, your Heart is broken.
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    Here is really good information about Baba Jis contrubtion to the Sikh Panth and how Baba Ji helped saved Punjab before 1947 i was shocked. Its worth listening
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    Here is a good mention by sant ji on the 6th stage of bramhgyani sadhu
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    Dhan Baba Jawala Singh Ji
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    Dhan Mahapursh
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    Here is a saakhi where somebody asks Baba Ji whats the difference between a sant and a normal human
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    Really good saakhis from Baba Ji's life worth listening
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    Dhan Baba Jawala Singh Ji when they went to meet another mahapursh with their singhs
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    Dhan Baba Ji very good saakhi worth listening about how a snake used to meet Baba Ji everyday.
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    Sahib

    Different Types/stages Of Naam

    Lucky ji there was a saint named baba faqir chand..he was a far reached and used to properly explain stages of sun satlok etc..it will be of great help to you all if you make an effort to listen to him..you can find his satsang on youtube baba faqir chand
  21. 1 point
    Lucky

    Different Types/stages Of Naam

    Harsharan ji's post describes the answer quite well. Let me also add that ALL the sounds and visions even, are part of the illusion...you are still in maya. it's stll trai-gun. This doesn't mean that the naad you may be hearing and feeling is false, because this naad is still coming from that same source of sach-khand.....however, you are still wrapped in the illusion and the shabad is not fully manifest as the sehaj dhun in sach khand. You will know when it's sehaj dhun or pure anhad bani because it will be pure para-bani coming drenched in amrit when waheguru reveals the Nijh ghar/sach-khand to you. At this stage you will see/feel/become with the Brahm jyot.....and ONLY then will you yourself be able to confirm that it is the purest, truest Anhad Bani you are hearing. The sounds we can hear at early stages of different instruments..etc.. are all paon de shabad and related to the air/pavan. They change as you progress and so does the naad. Initially the naad is intermittent but then gets clearer and more intense until it becomes 24hr. In this part of the journey I think that it varies vastly for each and every one of us and according to our own gunas. AT the same time you will get 'downloads' of knowledge, gyaan and understanding about 'Yourself''...and according to your own gunas. We will often question to ourselves if the naad or sounds are genuine and true anhad. ... the answer is quite simple because if we are questioning, then we must surely be still be wrapped in the illusion more than being drenched in amrit rus/naam When we experience the -brahm jyot- amrit- prakash,- anhad in it's purest and highest form in sachkhand..... only then, will you have no doubts and be able to confirm to your self. I'm sure you won't be questioning or doubting in any way. Gurbani talks about these different levels of illusion including Gandarve Nagri, Mrig trishna, Maya Jaal...which is all part of kaal to stop and divert you. This occurs ALL the way up to the doorstep of waheguru's sacha mahal. And only until HE opens it and you get prakash are you out of kaal's boundary.
  22. 1 point
    das

    Different Types/stages Of Naam

    The following is from Sant Baba Isher Singh Ji's Diary: Types of Naam: There are 2 types of Naam: Japa (Varan Atmak Bani/Naam): It is the Outer Sound Principle. It is also known as the language of the Pranas or the vital airs for it depends on different types of vibrations in the air. All these types of Japas give solace of varying degrees and one gets peace of mind of a temporary nature only, be­cause the various bodily chakra involved in them are of a lower order, situated below Third Eye. Varn-Atmak words pave the way to Dhun-Atmak Shabd and are thus essential aids in stilling the mind of oscillations, purging it of all impurities and rendering it capable of apprehending the Dhun-Atmak current within. The Varn-Atmak words may and do differ because of lingual differences, but the Dhun-Atmak Shabd being the Life-Principle of the spirit or soul is the same throughout. It can be further sub-divided into 4 subdivisions: Baikhri: These are labial sounds or sounds which are uttered with the aid of tongue and lips. It is when God's Name is recited with tongue and lips. It is the first technique and holds 1 unit in power. Madhma: These are guttural sounds which are produced in the throat or at the back or root of the tongue and palate. It is when God's Name is recited within the throat but without the use of tongue. This is 10 times the power of Baikhri. Pashyanti: These are sounds which originate from the heart center. It is when God's Name is recited within the heart but without the use of tongue. This is 100 times the power of Baikhri. Para: These are sounds which arise through vibrations from the navel center. It is when God's Name is recited within the navel but without the use of tongue. This is 1000 times the power of Baikhri. Ajapa (Dhun Atmak Bani/Naam): This is the Eternal Sound Current reverberating endlessly in every living thing. It is an Unwritten Law and an Unspoken Language. It becomes audible, however, when a spirit rises above body-consciousness. Here one has just to listen to the all-pervading Naam or Shabd. As this Sound cannot be expressed in any symbolic form, it is ex­pressionless. It may be contacted above the sensory plane, behind the centre of the two eyebrows. Here one starts hearing Anhad Shabad. It generally referred to as Naam down to Trikuti; and below Daswan Dwar, where the causal region extends, It is called the Trigun Bani, or Sound within the regions of the three gunas. It is also described as Brahm Janjalla, the network of Brahm, the God of creation. This Trigun Bani or Brahm Janjalla is still within the domain of Kal or Dissolution and hence must disintegrate. HE is beyond Japa, Ajapa, and Anhad. More details are posted under: http://satgur.net/Articles/Spiritual/8
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