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Siddhi Vinayaka Temple The Siddhi Vinayaka Temple is a Hindu temple dedicated to Lord Shri Ganesh. It is located in Prabhadevi, Mumbai,Maharashtra. It was originally built by Laxman Vithu and Deubai Patil on November 19, 1801. Though it is one of the richest temples in Mumbai, the current generation of Patil is staying in state of despair near the temple. Siddhi Vinayaka Temple has a small mandap (hall) with the shrine for Siddhi Vinayak ("Ganesh who grants your wish"). The wooden doors to the sanctum are carved with images of the Ashtavinayak (the eight manifestations of Ganesha in Maharashtra). The inner roof of the sanctum is plated with gold, and the central statue is of Ganesha. In the periphery, there is a Hanuman temple as well. The Siddhi Vinayaka Temple evolved from a small, tiny place of worship to the Grand Temple that stands today in the later half of the twentieth century. Temple glory was bought not only by the politicians who frequented the temple but also Bollywood film stars who continuously visit to seek the blessings of Lord Ganesha. Here, Ganpati is shown with four arms holding a lotus flower, an axe, plate of modakas and a garland of beads, in each of his hands respectively. The two consorts of the Lord, Riddhi and Siddhi, adorn the site being placed on the either side of Ganesha. The temple complex also comprises image of Lord Hanuman near the main entrance. On Tuesdays, people come to the Siddhi Vinayaka Temple in large number as it is regarded as the ruling day of Lord Ganesha. Devotees come here long before the opening timings (before dawn) of the Temple, just to ensure that they will get the glimpse of Lord Ganesha. It is believed that Lord Ganesha fulfills all the desires and wishes of his true devotees.
The Mudgala Purana is a Hindu religious text dedicated to the Hindu deity Ganesha (Gaṇeśa). It is an upapurāṇa that includes many stories and ritualistic elements relating to Ganesha. The Ganesha Purana and the Mudgala Purana are core scriptures for devotees of Ganesha, known as Ganapatyas (Gāṇapatya). These are the only two Purana that are exclusively dedicated to Ganesha. The Mudgala Purana considers Ganesha to represent the ultimate reality of being. As such, Ganesha's manifestations are endless but eight of his incarnations are of most importance. The eight incarnations are introduced in MudP 1.17.24-28. The text is organized into sections for each of these incarnations. These are not the same as the four incarnations of Ganesha that are described in the Ganesha Purana. The incarnation described in the Mudgala Purana took place in different cosmic ages. The Mudgala Purana uses these incarnations to express complex philosophical concepts associated with the progressive creation of the world. Each incarnation represents a stage of the absolute as it unfolds into creation. Granoff provides a summary of the philosophical meaning of each incarnation within the framework of the Mudgala Purana: Along with the philosophy, typical Puranic themes of battles with demons provide much of the story line. The incarnations appear in the following order: Vakratunda, first in the series, represents the absolute as the aggregate of all bodies, an embodiment of the form of Brahman. The purpose of this incarnation is to overcome the demon Matsaryāsura (envy, jealousy). His mount is a lion. Ekadanta represents the aggregate of all individual souls, an embodiment of the essential nature of Brahman. the purpose of this incarnation is to overcome the demon Madāsura (arrogance, conceit). His mount is a mouse. Mahodara is a synthesis of both Vakratuṇḍa and Ekadanta. It is the absolute as it enters into the creative process. It is an embodiment of the wisdom of Brahman. The purpose of this incarnation is to overcome the demon Mohāsura. His mount is a mouse. Gajavaktra is a counterpart to Mahodara. The purpose of this incarnation is to overcome the demon Lobhāsura (greed). His mount is a mouse. Lambodara is the first of four incarnations that correspond to the stage where the Purāṇic gods are created. Lambodara corresponds to Śakti, the pure power of Brahman. The purpose of this incarnation is to overcome the demon Krodhāsura. His mount is a mouse. Vikata corresponds to Sūrya. He is an embodiment of the illuminating nature of Brahman. The purpose of this incarnation is to overcome the demon Kāmāsura (lust). His mount is a peacock. Vighnaraja, corresponds to Viṣṇu. He is an embodiment of the preserving nature of Brahman. The purpose of this incarnation is to overcome the demon Mamāsura. His mount is the celestial serpent Shesha. Dhumravarna corresponds to Śiva. He is an embodiment of the destructive nature of Brahman. The purpose of this incarnation is to overcome the demon Abhimanāsura. His mount is a mouse.
Every God in Hindu mythology is believed to have different forms or incarnations or avatars. Every avatar symbolises something unique. The elephant-headed God, has displayed himself in 32 forms of Ganesha, each form having special powers and characteristic features. Two shaktis of Ganesha, Siddhi and Riddhi, are often depicted on images of the mighty God’s forms. The 32 forms of Lord Ganesha are as follows: 1. Bala Ganapati 2. Taruna Ganapati 3. Bhakthi Ganapati 4. Vira Ganapati 5. Shakti Ganapati 6. Dwija Ganapati 7. Siddhi Ganapati 8 . Ucchhishta Ganapati 9. Vighna Ganapati 10. Kshipra Ganapati 11. Heramba Ganapati 12. Lakshmi Ganapati 13. Maha Ganapati 14. Vijaya Ganapati 15. Nritya Ganapati 16. Urdhva Ganapati 17. Ekakshara Ganapati 18. Varada Ganapati 19. Tryakshara Ganapati 20. Kshipra Prasada Ganapati 21. Haridra Ganapati 22. Ekadanat Ganapti 23. Sristhi Ganapati 24. Uddanda Ganapati 25. Rinamochana Ganapati 26. Dhundhi Ganapati 27. Dwimukha Ganapati 28. Trimukha Ganapati 29. Sinha Ganapati 30. Yoga Ganapati 31. Durga Ganapati 32. Sankatahara Ganapati In the Every avatar is depicted as a red, golden, blue or white image. The names of these 32 forms of Ganesha suggest what each of them symbolises. For example, ‘Bala’ means child-like,‘Bhakti’ means devotion and ‘Nritya’ means dance and ‘Lakshmi Ganapati’ is the Giver of Success. While some say Ganesha was an unmarried bachelor, others say that he was married to Siddhi (spiritual power) and Buddhi or Riddhi (intellectual power). But Lakshmi Ganapati has two consorts –Saraswati, goddess of culture and arts and Lakshmi, goddess of luck and prosperity. Vighna Ganapati is the Lord of Obstacles. Destruction of obstacles for those who are on their way to glory is one of Ganesha’s important tasks. On the other hand, Bhakti Ganapati is calm. Hence, each name of Ganapati has a specific quality attached to it. From these 32 forms of Ganesha, we can observe that Ganesha switched from one form to another to show his greatness. From being a valiant warrior (Veera Ganapati) to fulfilling his duties as a protector of the weak (Heramba Ganapati) to enforcing Dharma (Uddanda Ganapati), Lord Ganesha has many magical incarnations.Ganesha’s might is displayed through these 32 forms. Even though he was blessed with so many powers and incarnations, he did not misuse them. Instead, he always put them to good use.