Freed

Gurfateh !

I found this on youtube - Suthra Shahi Ardas - with trademark sticks

http://uk.youtube.com/watch?v=6gjTvnctcQc

Any members have any background about or contact with the Suthra Shahis ? - any information greatly appreciated.

I looked them up and found this on H S Kanwal's website ;

(Most of the above has been taken with courtesy from H.S.Rose's book "Tribes & Castes of Punjab &NW Frontier" This book was written in 1892 AD. Many Sects are probably extinct or have changed considerably now.- Kanwal)

http://www.sikh-heritage.co.uk/movements/V...cts/VASects.htm

SUTHRA SHAHI

An order of Sikh devotees whose origin is thus described:-

When Teg Shah - a faqir was alive, a boy was born of dark complexion, (or with a black mark on his forehead) and moustache, and with his teeth already cut---and his parents exposed him, - a child so born is unlucky. The sixth Guru Hargobind, happened to find the child and told his disciples to take him up but they refused, saying that he was kuthra, or dirty. The Guru replied 'he was Suthra or clean' and they then obeyed. This boy was the founder of the Suthra-Shahi sect.

A Suthra Shahi Sikh

The Kangra version adds -Twelve years later, in the reign of Aurangzeb, the Hindus were persecuted and the emperor removed every day one and a quarter maunds of sacred threads (janeoo), erased the tilaks from their foreheads, and compelled Hindu faqirs to show him miracles. The Guru then sent the boy Suthra to Delhi to exhibit miracles to the emperor and to convert him to the right path. On reaching Delhi the boy had a pair of shoes, l ¼ haths long, made at a cost of 1 ¼ lakhs of rupees. One night he put one of these shoes in the Delhi mosque, together with a lota (the vessel used for washing the hands and feet before prayer). Next morning the Muhammadans prostrated themselves before the lota and shoe, considering them to he sacred, and their fame spread throughout the city. One day the boy tied the other shoe to a stick and wended his way through the city, crying that he had been robbed of the other shoe. News of this event reached Aurangzeb who sent for the boy and asked him whether the shoe found in the mosque was his. He said it was, whereupon the emperor said that, if it were found not to fit him, he would be beheaded. The boy agreed and, calling on his Guru's name, put on the shoe, which he found a little, too small. At this his face lit up, so that the emperor in amaze bade him ask any boon he chose.

The boy warned Aurangzeb against further persecution of the Hin-dus, and the emperor assented. Moreover he decreed that all his subjects should at every wedding pay one gold mohar and 1 ¼ rupees per shop to the boy, who refused to accept more than 1 ¼ rupee at each wedding and a pice from each shop. This decree wag engraved on a copper-plate. Then the boy went to Lahore and built himself a house outside the Masti Gate. He made 4 chelas, Bawa Nihal Shah, B. Gulab Shah, B. Didar Shah and B. Changar Shah. In the plains the tax is still paid to the Suthra Shahis~, but in the hills it is not paid in full owing to the poverty of the people.

The boy Suthra composed a 'baramasa' in which the above history is given. Another version adds various details, prefixed to the above account It makes the boy go to Delhi of his own accord, put on a boar's Intestines as a janeoo and apply a tilak of ashes to his forehead. The Qazi of Delhi orders this janeoo to be broken, but in vain, so he licks it away and in consequence an evil smell issues from his mouth. The Suthra is then arrested, but the emperor Aurangzeb keeps him near the royal person and early next morning sees his face. As a result his breakfast turns into loathsome insects and he orders the Suthra to exe-cution. The latter demands to see the emperor and protests his innocence whereupon Aurangzeb declares that the sight of his unfortunate face early that morning had deprived him of food all day. To this the Suthra forcibly rejoins that the sight of Aurangzeb's unlucky face had led to his being condemned to death. So the emperor set him free and he took up his abode in a takia behind the Jama Masjid at Delhi. He had the shoes l ¼ hathas long made and a lota of earth set with precious stones. Going one night to the mosque to recite his prayers he fled in the morning from the mosque out of fear of the Muhammedans and left one shoe and the lota behind him. When he came before the emperor he found the shoe too small, but it just fitted Aurangzeb. At the Suthra's instance the emperor closes his eyes and finds himself alone with the Suthra in a terrible place. The Suthra mockingly asks him where are now his troops, and why he persecutes the Hindu faqirs. After craving his pardon Aurangzeb opens his eyes and finds himself back in the Delhi Fort.

THE SUTHRA PANTH OR SECT OF THE SUTHRAS

Both Hindus and Muhammedans enter this panth whose members are called Suthra Shah or Benawa. Muhammadan Suthras carry a danda (staff) with which they strike their iron bracelet (churis). Hindu Suthras claim to be Udasis, are followers of Guru Nanak,: and are said to have been founded by Hari Chand, his elder son. In theory they are monotheists, but as they have to beg from Hindus they also worship the Hindu gods. Their gaddis in the larger towns have deras attached to, and dependent on, them in the neighbouring villages. They contain no idols, except the Samadhs of deceased mahants, and to these they offer dhup dip. They chant the sabda of Guru Arjan.

The Suthras are celibate, but make chelas. They wear a seli of black wool round the neck, and carry black dandas which they knock together, demanding a pice from each shop. If this demand be refused they blacken their faces, burn their clothes and expose themselves naked in public, refusing to leave the shop until paid.

Mode of initiation.-- The candidate for admission into the panth is dissuaded, but if he persists in his resolve to become a Suthra, he is warned that he will have to subsist by begging, remain celibate and not quarrel, even if abused, His beard and moustache are then shaved off by a barber, but his top knot is left to be cut off by his guru', before whom the candidate lays a razor and asks that he will shave off his top knot. The guru' repeatedly refuses to do so, returning the razor to him several times, but finally the candidate's prayer is granted, his topknot cut off and a mantra whispered in his ear by the guru'. The initiate's clothes are given to the barber. Karah is made and distributed among those present. The initiate is invested with a seli or necklet of black wool, and a cotton janeoo or sacred thread worn by a Brahman. The two dandas are also given him and his initiation is complete. Suthras must not wear anything but a dhoti and cannot wear coloured dopattas (shawls). Liquor and flesh are avoided but not tobacco. All castes are now admitted into the order, though formerly, it is alleged, only Brah-mans, Kashatriyas and Vaisyas were initiated

Rites at death.-AII the Brahminical rites are observed at death, and a Brahman is called in to perform the kiria karam, but it is said that a Sikh is also called in to read the Granth. The Sawarni and satarhwin rites of the Hindus are also performed, The body is cremated and the ashes taken to the Ganges, but a small quantity mixed with Ganges water and cow's urine is also placed in the dera and a samadh built thereon.

Just noticed a spelling mistake it should read ਨੀਲ ਕੰਠ not ਨਲਿ ਕੰਠ as written on the website - I have corrected the above post .

Sorry !

Gurfateh !

This shabad is from the 'Shabad Hazarey Patshahi 10' - from the 'Shabad' section of Sri Dasm Granth Sahib - Raag Sorath

Here is the shabad with translation by Dr Surinder Singh Kohli

http://www.sridasam.org/dasam?Action=Page&p=1347

ਰਾਗੁ ਸੋਰਠਿ ਪਾਤਿਸ਼ਾਹੀ ॥੧੦॥

रागु सोरठि पातिशाही ॥१०॥

RAGA SORATH OF THE TENTH KING

ਪ੍ਰਭਜੂ ਤੋਕਹਿ ਲਾਜ ਹਮਾਰੀ ॥ ਨੀਲ ਕੰਠ ਨਰਹਰਿ ਨਾਰਾਇਣ ਨੀਲ ਬਸਨ ਬਨਵਾਰੀ ॥੧॥ਰਹਾਉ ॥

प्रभजू तोकहि लाज हमारी ॥ नलि कंठ नरहरि नाराइण नील बसन बनवारी ॥१॥रहाउ ॥

O Lord ! You alone can protect my honour ! O blue-throated Lord of men ! O the Lord of forests wearing blue vests ! Pause.

ਪਰਮ ਪੁਰਖ ਪਰਮੇਸ਼੍ਵਰ ਸੁਆਮੀ ਪਾਵਨ ਪਉਨ ਅਹਾਰੀ ॥

परम पुरख परमेश्वर सुआमी पावन पउन अहारी ॥

O Supreme Purusha! Supreme Ishwara ! Master of all ! Holiest Divinity ! living on air;

ਮਾਧਵ ਮਹਾ ਜੋਤਿ ਮਧੁ ਮਰਦਨ ਮਾਨ ਮੁਕੰਦ ਮੁਰਾਰੀ ॥੧॥

माधव महा जोति मधु मरदन मान मुकंद मुरारी ॥१॥

O the Lord of Lakshmi ! the greatest Light ! , the Destroyer of the demons Madhu and Mus ! and the bestower of salvation !1.

ਨਿਰਬਿਕਾਰ ਨਿਰਜੁਰ ਨਿੰਦ੍ਰਾਬਿਨੁ ਨਿਰਬਿਖ ਨਰਕ ਨਿਵਾਰੀ ॥

निरबिकार निरजुर निंद्राबिनु निरबिख नरक निवारी ॥

O the Lord without evil, without decay, without sleep, without poison and the Saviour from hell !

ਕ੍ਰਿਪਾਸਿੰਧ ਕਾਲ ਤ੍ਰੈ ਦਰਸੀ ਕੁਕ੍ਰਿਤ ਪ੍ਰਨਾਸਨਕਾਰੀ ॥੨॥

क्रिपासिंध काल त्रै दरसी कुक्रित प्रनासनकारी ॥२॥

O the ocean of Mercy ! the seer of all times ! and the Destroyer of evil actions !....2.

ਧਨੁਰਪਾਨ ਧ੍ਰਿਤ ਮਾਨ ਧਰਾਧਰ ਅਨਿ ਬਿਕਾਰ ਅਸਿ ਧਾਰੀ ॥

धनुरपान ध्रित मान धराधर अनि बिकार असि धारी ॥

O the wielder of bow ! the Patient ! the Prop of earth ! the Lord without evil ! and wielder of the sword !

ਹੌ ਮਤਿ ਮੰਦ ਚਰਨ ਸ਼ਰਨਾਗਤਿ ਕਰਿ ਗਹਿ ਲੇਹੁ ਉਬਾਰੀ ॥੩॥੧॥

हौ मति मंद चरन शरनागति करि गहि लेहु उबारी ॥३॥१॥

I am unwise, I take refuge at Thy feet, catch hold of my hand and save me.3.

Asha Bhonsle on top form there !

Hope that helps -Take Care ,

Freed

Remembrance Sunday

In respect, tribute, honour and remembrance of all those who gave the

'ultimate sacrifice'..................

'Subadar, 24th Punjabis' from 'The Armies of India' Major A C Lovett and Major G F MacMunn DSO.

Adam and Charles Black, London 1911

Ranjit Singh Freed

Of course Yes , go ahead - 'we need to share the wealth'

Waheguru Ji Ka Khalsa Waheguru Ji Fateh !

I have received a number of requests to upload the 'Weapon Masters' TV show that examined the Chakram / Chakkar weapon of the Sikhs, so as requested here is the show - unfortunately I didn't have the time to edit out the advertisements (commercials) - but hey all you N. Americans get to enjoy UK adverts (commercials) !.

The Show features Nihang Dals, Nihang Nidar Singh, The Chardi Kala Jatha and students from the Miri Piri Academy - while I enjoyed the show I would of liked to have seen the Nihangs given more time to speak - the presenter didn't let Nidar Singh complete a sentence - I know the Black Country Accent is sometimes impenetrable but even so !!

Anyway here it is ENJOY !

Weapon Masters - First Shown 10 Sept 2008 on Discovery Knowledge

http://video.google.com/videoplay?docid=55...86480&hl=en

Gurfateh Parvaan Bhai Sahib !

Thank you so much for posting your great pictures.

Congratulations on completing your yatra - Looks like you had a great experience.

I love this one --- 21st century Muthi Chaapi (ਮੁੱਠੀ ਚਾਪੀ) sewa

and finally we get to see what you look like ! - we have only ever seen the top of your dastar in your avatar pictures.

ਰੱਖਣੀ ਬਿਰਦ ਬਾਣੇ ਦੀ ਲਾਜੁ ॥

ਸੋਢੀ ਸੱਚੇ ਪਾਤਸ਼ਾਹ ਜੀਓ ॥

I feel privileged to have your 'Darshan' (You'll have all the internet 'Aunties' busy looking for a Singhni for you now !!! )

Take Care

Pyaar Naal,

Ranjit Singh.

Here is a small update - 2 contrasting images of Gurmukhi.

The Chillianwala memorial - raised by the British to commemorate the Battle of Chillianwala, Second Sikh War, 13th January 1849. .

Note how both armies are described as 'Soorbeer' on the monument and the hope that God ensures their memory lives on.

Battle of Chillianwala

12,000 British and Bengalis with 66 guns against 35,000 Sikhs with 65 guns. Gough’s Army of the Punjab withdrew to its camp at Chilllianwalah, while the Sikhs fell back no further than the hills around Rasul. The battle was not won by either side, although it is said that the Sikh missed an opportunity to defeat the British outright.

(http://www.britishbattles.com/second-sikh-war/chillianwallah.htm)

And in total contrast ...... here is an ATM in South Riverdale Canada - I doubt ATMs in Punjab have instructions in Gurmukhi Lipi !

Enjoy

Freed

Vaheguru Ji Ka Khalsa Vaheguru Ji Ki Fateh !!

Lest We Forget. Sri Harimandir Sahib

In this week we remember the Ghallughaara of June 1984 - as a mark of respect I have posted this video.

'Sri Harimandir Sahib - a pilgrimage' a documentary by Asha Seth. This film is lovingly made and beautifully captures a day at Sri Darbar Sahib - the "ਅੱਠ ਪਹਿਰੀ ਮਰਯਾਦਾ" (Ath Pehehri Maryada) is shown in all it's glory - the film includes Guru Sahib's Santokh Sewa , Sawari and Sukhasan. Sukki Sewa and Gilli Sewa (ishnaan of the marble floors) is also shown as is the arrival , Prakash and Hukumnama of Guru Sahib. The Deepmala of Divali Night is also shown as is the 'Jalau' - the display of the treasures of the Toshekhana. The film ends with Ardaas and Atishbaazi (fireworks).

This film is a real jewel - I have posted it in homage to Sri Darbar Sahib and all those who have given their all for the Sewa Sambhaal of Sri Amritsar - all those who have given their lives to build, decorate, beautify and protect Sri Darbar Sahib.

A short clip of the Sukki and Gilli Sewa ( 10 mins )

Click Link to View ;

http://video.google.com/videoplay?docid=21...36709&hl=en

The Complete Film ( 1hour 25mins)

Click Link to View ;

http://video.google.com/videoplay?docid=68...57303&hl=en

Enjoy this beautiful film and take sometime to remember those who gave their all for the protection of Sri Harimandir Sahib.

'Parnaam Shaheedan Nu'

Gurfateh

Ranjit Singh 'Freed'

Gurfateh !

Slight correction

One picture is missing

Where it reads "The Nishan of Guru Har Rai Sahib - from a saroop of Guru Sahib at the Ram Rai Darbar , Dehra Dun"

This picture should follow

(I have edited the original post )

ੴ ਸਤਿਗੁਰ ਪ੍ਰਸਾਦਿ॥

(From Fareedkot Teeka)

Blessed is the paper, blessed is the pen, blessed is the ink.

Blessed is the writer, O Nanak, who writes the True Name. ||1||

(Guru Nanak Sahib. Raag Malaar Ang 1291)

ਵਾਹਿਗੁਰੂ ਜੀ ਕਾ ਖ਼ਾਲਸਾ

ਵਹਿਗੁਰੂ ਜੀ ਕੀ ਫਤਿਹ॥

This year sees the celebration of the 300 year Gurgaddi Divas of Sahib Sri Guru Granth Sahib Ji Maharaaj, to mark the occasion I have put together an extended photo-essay.

This photo-essay is a celebration of Gurmukhi calligraphy and typography, it is my hope to show just a little of the rich and beautiful varieties of Gurmukhi calligraphy and typography.

The collection of images is fairly wide ranging and personal, I have tried to post the pictures in some semblance of a chronological order , but as I have said it is a very personal collection of images and examples that have moved me in someway.

The pictures are culled from a number of sources, some of these sources are highly contentious. The aim of the post is to celebrate Gurmukhi - I have avoided any critique, commentary or evaluation of the material. The traditions surrounding the particular 'Pothis' or 'Saroops' has not been challenged and a non judgemental approach is taken with regard to any issues about 'Authenticity'.

This post is a celebration - it is my hope that readers will take this on board and make any responses in that vein.

The post includes images from controversial groups and literature - as well as 'saroops' which include 'raagmala' and 'saroops' which do not, as well as 'saroops' which have 'non traditional' material.

It is not my aim to upset or cause controversy - I am in no way endorsing any particular viewpoint - infact all viewpoints will find much to bolster their own particular views - I have chosen not to comment and keep this post a 'Celebration' of the wealth, diversity and beauty of Gurmukhi in all it's forms, from the 'Nisans' and 'hukumnamey' of the Guru Sahiban to 'Saroops' of Guru Sahib, to everyday examples of 'Gurmukhi'.

I hope you all enjoy this extended photo-essay - I am very aware it is a huge collection, I have tried to prune it and edit it , even so it is still huge. I hope you will persevere to the end, your patience will be rewarded with a veritable feast of wonderful images.

********************************************

A Celebration of Gurmukhi.

Traditionally two manuscripts lay claim to being the earliest Sikh manuscripts, these are in the possession of the family of Prithi Chand (eldest brother of Guru Arjan Dev ji) and the family of Baba Mohan, the son of Guru Amar Dass ji.

The Guru Harsahai Pothi

The Guru Harsahai Pothi was in the custody of the Sodhi Family, descendents of Prithi Chand, the eldest brother of Guru Arjan Dev ji, until it was lost in 1970.

The Sodhis claim it is the Pothi of Guru Nanak Sahib - scribed during their lifetime and given to Guru Angad Sahib as a signifier of the 'Gurgaddi'.

From a purely textual viewpoint Mann (2001) has argued that the script is of a very early type, the 'kanna' vowel sign is not present, and many 'Gurmukhi akhar' have not attained their standard form.

The 'Mangalcharan' of the Guru Harsahai Pothi - ' (Ek) Oankar Sachnam Kartaar' 'Baba Nanak' - the lack of the 'kanna' and the form of the letters suggest it is a very early manuscript.

The Guru Harsahai pothi

The Goindval Pothis

The Goindval Pothis are in the custody of the Bhalla Family , descendents of Baba Mohan, son of Guru Amar Dass ji, hence they are also called the Mohan Pothis. Tradition says that these pothis were scribed during the Guruship of Guru Amar Dass by Sahansram, son of Baba Mohan. One pothi is in the custody of the Bhallas at Jalandhar and the other is with the Bhallas of Pinjore.

The Gurmukhi characters in these pothis, like those of the Guru Harsahai pothi are of an early type as are the vowel sound signs. If we look at the opening pages we see 'minakari' , decoration and illumination , also note how the pothis are bound 'portrait' book style, not in the classically Indian Pothi 'landscape' style.

In this image we can see the Gurmukhi characters as recorded in the Goindval pothis.

The following images are from the Pothi at Jalandhar ;

The 'var' (blessing) and date

Raag Suhi

Sample of the handwriting of the second scribe of the Jalandhar pothi

Images from the Pothi at Pinjore

Raag Raamkali

Raag Sorath

Raag Sarang

The Kartarpuri Birh

The Kartarpur Birh Manuscript is traditionally agreed to be the 'Pothi Sahib' scribed by Bhai Gurdas as Guru Arjan Dev ji dictated. The birh is in the custody of the Sodhis of Kartarpur , descendants of Dhirmal, the great grandson of Guru Arjan Dev ji.The descendents of Dhirmal and those of Prithi Chand are part of the 'Panj Mel' known as 'Minas' ('scoundrels') groups ostracized by Sikh Sangat, as enshrined in 18th century Rehatnamey, because of their contention that they constituted a separate 'Guru' lineage. It is for all these reasons (and many other reasons) that much intense debate, arguement and disagreement has surrounded this birh.

As I have said we are celebrating Gurmukhi - so will look at this aspect. The Kartarpuri Birh shows how Gurmukhi was standardized by Guru Sahib - the elements, early character forms and vowel sounds such as the lack of the use of a 'kanna' or the use of a 'bindi' in it's place, that can be found in the Goindval and Har Sahai pothis, have become more familiar and standardised in this birh.

Nishans and Hukumnamey

Here we have examples of the handwriting of the Guru Sahiban (many of these were lost in the army attack on Amritsar in 1984)

The nishan of Guru Arjan Dev ji from the Kartapuri Birh

Penti Akhari - Gurmukhi alphabet in the hand of Guru Arjan Dev ji

The Nishan of Guru Hargobind Sahib in a pothi in the Central Sikh Museum

The Nishan of Guru Har Rai Sahib - from a saroop of Guru Sahib at the Ram Rai Darbar , Dehra Dun

A hukumnama sent by Guru Har Krishan ji to the Sangat of Pattann (Fareed ke)

text of hukumnama

The Nishan of Guru Tegh Bahader Sahib from a Saroop in the Patiala Archives

The Nishan of Guru Tegh Bahader Sahib from a Saroop of Guru Sahib in the Reference Library Amritsar

a 'Hukum Khaas Furman' from Guru Tegh Bahader Sahib to the Sangat of Patna - thanking them for their assistance at the birth of Guru Gobind Singh ji.

text;

Hukumnama from Guru Tegh Bahadar Sahib to the Sangat of Mirzapur

text;

Here is a very interesting Hukumnama sent by Guru Tegh Bahadar Sahib - to the Sangat of Pattann - it is interesting for two reasons first is the line "Sarbat Sangat Divali no darshan aavana" - confirming the tradition of seeking Darshan at Divali and the second extremely interesting reason is Guru Sahib's use of the term "Khalsa" in the line "Pattann di Sangat Sri Guru Ji da Khalsa he"

text;

Hukumnama from Guru Gobind Singh ji to the Sangat of Banaras

text;

Hukumnama from Guru Gobind Singh ji to Bhai Triloka and Bhai Rama from the fanily of Phul - also known as the Patiala Hukumnama - includes the line 'Tera ghar mera assey' - later used as the 'Motto' on the crest of the Patiala Maharajas

text;

Nishan of Guru Gobind Singh Ji - from an illuminated folio of Sri Aad Granth Sahib, Patna

Nishan of Guru Gobind Singh - from a gutka in the possession of the Bagrian Family

Hukumnamey of Mata Sahib Devan

text;

text;

Hukumnama from Banda Bahadar to Bhai Dharam Singh & Param Singh of Village Bhai Rupa - includes the line "Panj Hathiyaar badh aavana" and his 'Stamp' or 'mohur' - 'Degho Tegho Futteh u Nusrat be dirang Yaafat az Nanak Guru Gobind Singh' in Persian - Also noteworthy , though it is not very clear, is that the Hukum begins with 'Ek Onkar Fateh Darshan' - The Bandai Greeting.

In this hukumnama from Banda Bahada the 'mohur' is clearer, as is the 'Fateh Darshan' greeting - Also note the interesting injunctions in the 'Rehat'

text;

Hukumnama from Mata Sundari to Bhai Rame village Bhai Rupa

Puratan saroops of Sri Guru Granth Sahib

The British Library Saroop of Aad Granth Sahib - a very early manuscript illuminated in a characteristic Persian style. This manuscript dates in part from the middle of the 17th century (c.1660-75), and is therefore one of the twenty oldest known copies in existence. It was purchased by the British Museum in 1884 from the Reverend A Fischer, who had been the principal of a missionary school in Amritsar, Panjab.

This saroop of Sri Aad Granth Sahib is in a private North American collection - it is dated 1673 CE , though this has not been corroborated. The Birh contains the Nishan of Guru Tegh Bahadar Sahib - the calligraphy is beautifully crisp, clear and easy to read.

The Baba Ala Singh Burj 'Khas Birh' - it includes the nishan of Dasmesh Pita - the pictures shows the closing 'ang'.

This Birh of Sri Dasm Granth is said to have been scribed by Bhai Daya Singh Ji ( the first Panj Piara) - it is housed at the Aurangabad Gurdwara in Maharashtra

This Saroop of the Damdami Birh was scribed by Baba Deep Singh Ji - it is housed at Gurdwara Chhevin Padshahi, Dist. Jalandhar.

Hazoor Sahib birhs -

This birh has illustrations of the Guru Sahiban

'Barhe Baba ji'

It is said this bir was scribed by Bhai Mani Singh

Dasm Granth Birh

A Saroop of Sri Guru Granth Sahib dated CE 1795 from the Collection of the Guru Nanak Museum Leicester

The Patiala 'Sunehri Birh' , the closing angs of this birh .

A 'birh' scribed in Kartarpur in 1799 (CE 1742)

Patna Sahib Birh - the calligraphy is exceptional - the picture shows a note by the scribe saying the birh has been copied and checked against the Aad Granth birh scribed by Bhai Gurdas ji.

The Wonderful calligraphy of a Patna Sahib birh - the flowing vowel signs and perfectly formed gurmukhi 'akhar' are hypnotic.

The 'tatkare' - 'contents page' of a birh in the possesion of the family of the Late Dr Chanan Singh Chan of Coventry UK. The birh is dated 1749 (CE 1692) - If you look at the top line you will see, after the mangalcharan, the line 'Sri Guru Granth Sahib' - this is extremely rare as such a description is not found in most 'hath likht' saroops

Puratan Saroops from the collection of Baba Sarabjot Singh Bedi in Una.

Spectacular calligraphy of a Puratan Saroop housed at the Sri Guru Singh Sabha, Hounslow. UK

Illuminated saroops decorated in Kashmiri Style

From the collection of the Punjabi University Patiala - dated circa 1820

From the collection of Sikh Dharma Espanola USA

From the collection of the British Library dated circa 1859

From the Sikh Reference Library Amritsar

Decorated Dasm Granth From the collection of the British Library

The decorated Saroops are from the Collection of the National Museum , New Delhi.

When examining puratan saroops it is difficult to ascertain dates and build up any information about the scribes, the lack of provenance means their study is a very difficult task. One Saroop which has received much attention is housed in the collection of the National Museum , New Delhi. Not only is the patron of the Saroop known the scribes and dates are also known as they are part of the manuscript. This Saroop is a profusely decorated copy of the Damdami Birh - lavishly illuminated in Kashmiri style. The saroop was commissioned by Sodhi Bhan Singh of Haranpur (district Jhelum) between 1839 and 1843, it was produced by Kashmiri artist Miha Singh and the scribe Misar Prakas. Bhan Singh was a Sodhi decendent of Prithi Chand (boycotted as 'Minas') some have argued the production of this birh was an attempt to show the real or imagined postion of Bhan Singh - he is shown at the centre of many illustrations, in one he is worshipping Mahakaal and in another performing a 'Havan' . The Sodhis regained some standing and prestige during the time of Maharaja Ranjit Singh - it is thought this birh was intended to be presented to Ranjit Singh - the birh is of a very large format - intended to be on 'display'.

The birh also has a number of very interesting elements - Indic deities such as the incarnations of Vishnu are shown in 'dvadashakamalas' - twelve petalled lotuses, perhaps the most striking element is the 'Onkaars' that head the 'raag' sections and the 'tatkara' - they are composite illustrations showing Devi, Brahma, Vishnu and Lakhsmi - sometimes the 'Oankaars' are flanked by Ganesh and Hanuman. The 'Formless' made from Indic deities.

One image stands out for me above all others, that is the illustration on the 'Tatkara' - the contents page. Here we see the tradition of Bhai Banno, it is said that when Guru Arjan Sahib finished dictating the Aad Granth to Bhai Gurdas the scribe , he sent Bhai Banno to Lahore to have the Pothi bound. Bhai Banno made a copy of the pothi which he also had bound. He presented both the volumes to Guru Sahib. In the illustration from this birh we can see Bhai Banno and Bhai Gurdas standing by their respective 'birhs' and Guru Arjan Dev Ji is pointing to the birh scribed by Bhai Gurdas as the accepted birh.

There is another tradition which claims that Guru Sahib accepted both 'birhs' - terming Bhai Banno's birh the 'Khari Birh' - this tradition claims that Guru Sahib had wanted there to be only one birh - which Sangat would seek out and gain 'Mukti' - but as Bhai Banno had created a copy - this would start a tradition where copies would be available to all and all who sought their darshan would gain 'mukhti'.

I will leave it to the reader to make their own minds with regard to the reasons the illustrations of deities and other subjects are present in this 'birh' - here are some illustrations;

Contents page and Bhai Banno Illustration and the 'First Oankaar'

The images of the Guru Sahiban and Indic Deities and Heroes - surrounding Bhan Singh worshipping Mahakaal

Japji Sahib

Havan

Raag Raagnis

Janamsakhis

The B-40 Janamsakhi - dated 1733

Baba Nanak speaks to Shah Rukn-ud-Din of God - in thirty verses of 'Koranic pattern' expounding Sikhi

Baba Nanak , Guru Angad and Mardana

episodes from the life of Guru Nanak

Janam sakhi from 1777

Bhai Bala Janamsakhi early 19th century - Punjab State archives

A lavishly illustrated Janamsakhi in the archives of Sikh Dharma Espanola USA

The Janam Sakhies of Bhagat Kabeer Ji and other Bhagats - from the Guru Nanak Museum Leicester UK.

Janam sakhies from the National Museum New Delhi

Janam sakhi from the Sikh Reference Library Amritsar.

Hath Likht Granths

18th century Sri Sarbloh Granth Sahib

Prem Sumarg Granth

Hanuman Natak

Yog Vashishat (Nirban Prakaran)

Asv Medth Granth (Vedic Philosphies)

Waphae Dil Jawahar Panjabi Translation of a Persian Granth on Medicine by Hakime Misari Maharaja Sansar Chand

Hakim Balwinder Singh - a village doctor who uses ancient prescriptions of Unami and Ayurvedic medicines

The decorated 'Kavach' or Char Aina armour of Guru Gobind Singh Ji - in the possession of the Royal House of Patiala

A decorated Chakar

Sikh Raaj

Gutka of Rani Jindan

The exquisite Gutka of Rani Jindan - in the collection of the British Library - Sri Sukhmani Sahib in gorgeous calligraphy, white letters on a black background with gold decoration

The Seal Ring of Maharaja Ranjit Singh - carved emerald set in gold - reads " Akaal Sahai Ranjit Singh 1869 "(CE 1812) - in reverse as it would be used as seal.

reverse;

I recently had the incredible good fortune to acquire some hand written Gutkas - the gutkas include a large amount of Gurbani all arranged by Raag and include Bhagat Bani - The calligraphy is so beautiful.

A document dated 1934 (CE 1877) bearing the Mohur of Sri Takht Sahib Akaal Bunga - giving the authorized method of preparing "Amrit" and giving rehat.

The Large Birh - Sri Amritsar - scribed by Bhai Pratap Singh (completed in CE 1908)

Tiny manuscripts

A small Chaupai Sahib gutka

A tiny Gurmukhi manuscript in the Field Museum Chicago USA

Frescoes, Inscriptions, & Darvaaze.

Mural from the walls of the Ram Rai Darbar, Dehra Dun (Murals date from the 17th to the 19th century) - depicting Guru Nanak and Bhai Mardana - note the Gurmukhi Script and the depiction of the instruments

Mural from the 'Akhara' of Bala Nand, Amritsar

The Murals from Gurdwara Baba Atal Rai Sahib - the 'later' style of Gurmukhi calligraphy was a factor in helping to date these murals

Inscriptions on the Gold panels of Sri Darbar Sahib. Amritsar ;

Above the main western door ;

The northern door

The southern door

The original panel in storage

The opening slok from Sri Sukhmani Sahib - Darshani Deori

Darshani Deori - ਸਿਰ ਮਸ੍ਤਕ ਰਖ੍ਯ੍ਯਾ ਪਾਰਬ੍ਰਹਮੰ ਹਸ੍ਤ ਕਾਯਾ ਰਖ੍ਯ੍ਯਾ ਪਰਮੇਸ੍ਵਰਹ ॥ Guru Arjan Sahib ang 1358

The 'Dhup Ghari' - Sundial, next to the fifth lamp post of the northern side of the causeway that leads to Darbar Sahib - built by Sardar Lehna Singh Majithie in CE 1852

Window on the first floor of Sri Darbar Sahib

Walls of the First floor

naqqsh work - "ਬਹੁ ਸਾਸਤ੍ਰ ਬਹੁ ਸਿਮ੍ਰਿਤੀ ਪੇਖੇ ਸਰਬ ਢਢੋਲਿ ॥ ਪੂਜਸਿ ਨਾਹੀ ਹਰਿ ਹਰੇ ਨਾਨਕ ਨਾਮ ਅਮੋਲ ॥" Mahalla 5 ang 265

Panel from the Gold Doors of Sri Darbar Sahib - Showing Guru Ram Das Sahib - excavating the Sarovaar - and the 'Dithey Sabhe Thaav' Shabad

The Memorial erected by The 35th Sikhs battalion in 1894

"Eh chakar paltan number 35 Sikh ne tareek 16 (?) April 1894 mutaabak 5 Vasaakh san 1952 Nu Siri Darbar Sahib Amritsar da darshan karan di ar Ishnaan karan di yaadgar vich Ardass karaiya "

Saragarhi Memorial

Sahib Sri Guru Granth Sahib - Aj da Furman - Mukh Vaak

memorials on the marble

Inscription at Mukhtsar Sahib

Inscription on the Palki /Canopy above Guru Sahib in Darbar Sahib, Dera Baba Nanak - shabad from raag Bilaval M1 ang 795 " ਭਗਤਿ ਹੀਣੁ ਨਾਨਕੁ ਜੇ ਹੋਇਗਾ ਤਾ ਖਸਮੈ ਨਾਉ ਨ ਜਾਈ"

Inlay work from Sri Hazoor Sahib

Mukh Vaak Sri Hazoor Sahib - Guru Granth Sahib and Sri Dasm Granth Sahib

The Darwaza - door to the room that houses the shastar of Guru Gobind Singh at Takht Kesgarh Sahib

Door at Harian Velan Gurdwara (Hoshiaarpur)

Main Darwaza Panja Sahib (Pakistan)

Foundation stone Panja Sahib

Panja Sahib

Multi Lingual Road Sign showing way to Kartarpur Sahib Pakistan

Door panel from Janam Asthan Nankana Sahib - Sacha Sauda - 'Nanak Ke Ghar Keval Naam'

These next images are distressing pictures of Gurdwaras in Pakistan , abandoned since partition.

This wonderful early 19th century Gurdwara was built by Baba Nath Singh - in Sialkot, to commemorate the Stay of Guru Nanak . Note how the Marble Slabs have been covered in Koranic verses .

A particularly upsetting picture of a Gurdwara in Abottabad - the abandoned 'sukhasan asthan' full of debris particularly so.

Gurdwara Shahid Ganj - Lahore in around 1949

Singh Sabha, ManSehra - now a library but still bears it's Gurmukhi name plate

The arrival of the British in India saw the development of the Punjabi printing press - as early as 1808 Prof. William Carey had developed Gurmukhi printing characters and published a Punjabi Grammar in 1812. With the spread of Christian missionaries in Punjab,after the Fall of the Sikh Empire, the New Testament was translated and printed in Gurmukhi letters and dictionaries were produced.

Gurmukhi Printing akhar produced by Carey

The 'father' of Gurmukhi printing is seen as Dhani Ram Chatrik - a famous Punjabi poet - he was the first to print saroops of Sri Guru Granth Sahib at his Sudarshan Printing Press.

Initially Saroops of Guru Sahib were lithographed - 'stone printed' or 'pathar chhaap' and gradually were printed using characters made from metal.

Lithographed Saroops and other literature

Lithographed saroop from the collection of the British Library - published by Matbai Aftaab Press in 1868 at Lahore

from the collection of the Guru Nanak Museum, Leicester. UK

A lithographed copy of Giani Gian Singh's 'Twareek Guru Khalsa'

Vichar Sagar

A printed Gur Partap Suraj Granth

Printed saroops

A Miniature saroop

Sri Dasm Granth Sahib

Modern Hath Likht Saroops

Gurmeet Singh

Beautiful pictures of Keertani Master Niranjan Singh performing the sewa of writing a saroop of Guru Sahib.

Hath Likht Saroop

Chaupa Singh Rahit Nama

The first page of a handwritten copy of the 18th century manuscript of the Bhai Chaupa Singh Rahit Nama - that was, up until the 1984 attack, in the Sikh Reference Library Amritsar.

The exceptionally clear handwriting is that of W H Mcleod.

Laridaar Gutka - printed by the Satnam Trust, Canada

Some unusual Gurmukhi typefaces

Some 'Durlab' paintings

a late 18th century pahari brush drawing from the workshop of Nainsukh - Guru Nanak Sahib with an opened Pothi Sahib - on a slok from Sukhmani Sahib - 'Gian Anjan Gur Diya Agian Andher Binaas'

Sri Japji Sahib

An embroidered Japji Sahib

Learning Gurmukhi

Santhia / Paath Bodh

Adorable pictures from the Punjabi School, Nanakana Sahib, Pakistan. How blessed are these girls to walk on the same ground walked on by Guru Nanak Sahib , to go to school where Guru Sahib went to school. The pictures remind me of 'calendar' prints which depict Guru Nanak Sahib at School , also with 'fatti' in hand. The 'dawat' in the girl's hand also reminds me of my own time at Gurdwara Punjabi school - being kids growing up in England, we didn't know what a 'dawat' was - but the 'kaidey' books we used to learn the 'Penti' (Oora Aira,) always had 'Daddaa Dawat' - in the same way, despite being from pendu Jatt zamindaar families, none of us knew that 'thaththaa thann' referred to a cows udders !!!

Guru Nanak at school

Mural from the Baba Atal Tower

'Dawat and Thann'

Talking of Calendar prints here is one of my favourites as a child - 'Waheguru Naam Jahaaz He - Charey so utharey paar'

The lost art of writing letters

Growing up I remember the utter joy on my parents' faces when they received those blue airmail letters from family in Punjab - nowadays no one sends letters, I still remember wonderfully penned letters sent by my mother's family - written in hard to decipher larivaar gurmukhi.

I remember being about 7 and asking my Mum - how come no one sends me any Punjabi letters. She wrote one and posted it to me - I still have it - here it is ;

Here is a letter sent by Awtar Singh Johal of Coventry in 1950 - it is written in verse (dohra) - describing his journey to England by ship, to his wife in Punjab

My 'O' Level Punjabi examination paper - taken when I was at school. I got a 'B' - my teacher was not happy - I fluffed the oral exam !

Engraved Karas

A kara with the Chachri Chhant from Jaap Sahib in gold koftgaari

My 'budget' version in stainless steel

chachri cchant

opening slok from Sukhmani Sahib

Some more examples of Gurmukhi from 'our house'

To finish - or more correctly where it all begins - Gurmukhi Akhar, the 'penti' magnets on our fridge.(available from https://www.sikhlink.net/)

In order to tap into the treasure house of Gurbani - we all need to make an effort to learn to read Gurmukhi .

The photo essay ends here - get right clicking & saving and share the wealth - with everyone !! - I hope you enjoyed this mammoth post.

It is my little homage to Gurmukhi - and Jugo Jug Atal Sahib SatGuru Sri Guru Granth Sahib Jee Maharaaj.

* Dhan Sri Guru Granth Sahib Ji * Dhan Sri Guru Granth Sahib Ji * Dhan Sri Guru Granth Sahib Ji

Pyaar Naal,

Waheguru Ji Ka Khalsa Waheguru Ji Ki Fateh !!

Ranjit Singh Chohan (Freed)

************************************************************

* Picture Sources and References

Aadi Sri Guru Granth Sahib Steek. Faredkot Wala Teeka. Bhasha Vibhag Punjab. Patiala. 1989.

Arshi, P S. Sikh Architecture. I P H . New Delhi. 1986

Bharadia, Seema. The Arts of the Sikh Kingdoms. The Canadian Collections. ROM. Toronto 2000.

Daljeet, Dr. The Sikh Heritage. A Search for Totality. Prakash Books. New Delhi. 2004

Daljeet, Dr and Prof P. C Jain. Sri Harimandir Sahib. The Body Visible of the Invisible Supreme.Prakash Books. New Delhi. 2006

Deol, Jeevan Singh. Illustration and Illumination in Sikh Scriptual Manuscripts. Marg. Vol 54 No. 4 June 2003. Mumbai 2003

Goswamy, B. N. and Caron Smith. I See No Stranger. Early Sikh Art and Devotion. New Jersey. Mapin 2006

Goswami, Sandeep and Malkiat Singh. The Great Glory. Sikhism. Rupa. New Delhi 2006.

Hans, Surjit. B-40 Janamsakhi. GNDU Amritsar

Kalra, Surjit Singh. Punjabi Book II. Punjabi Language Development Board. Birmingham. 1984

Khalsa, SS Shanti Kaur.The History of the Sikh Dharma of the Western Hemisphere. Sikh Dharma. Espanola. 1995.

LaFont, Jean-Marie. Maharaja Ranjit Singh. Lord of the Five Rivers. Oxford . New Delhi. 2002

Madra, Amandeep Singh And Parmjit Singh. Warrior Saints. Three Centuries of the Sikh Military Tradition. I B Tauris London. 1999

Mann, Gurinder Singh.The Goindval Pothis. Harvard. Cambridge.Mass. 1996

Mann, Gurinder Singh. The Making of Sikh Scripture. Oxford. New York . 2001

McLeod, W.H. The Chaupa Singh Rahit Nama Univ. Otago Press. Dunedin NZ. 1987

Mitra, Swati. Walking with the Gurus. Historical Gurdwaras of Punjab. INTACH. Good Earth. New Delhi. 2004.

Paul, S. And Dheeraj Paul, Vijay N. Shankar and Ranvir Bhatnagar. The Golden Temple. A Gift to Humanity. R Bhatnagar. India. 2004.

Randhawa, T. S. The Sikhs. Images of a Heritage. Prakash.New Delhi. 2000.

Singh, Amrik and Sandeep Shankar. Sikh Shrines in Delhi. NIPS New Delhi. 2003

Singh, Ganda. Hukumname. Punjabi Univ. Patiala. 1999.

Singh, Gurbachan and Sondeep Shankar. The Sikhs. Faith, Philosophy & Folk. Tiger. Twickenham. 1998.

Singh, Giani Gurdit. Mundavani. Sahit. Chandigarh. 2003.

Singh, Prof. Jagdeesh. Nikkian Jindan Vadda Saka. SGPC Amritsar 1977

Singh, Prof. Jagdeesh. Saka Chamkaur. SGPC. Amritsar. 1979.

Singh, Khushwant and Raghu Rai. The Sikhs. Roli Books.New Delhi. 2001.

Singh, Sahib Giani Kirpal Singh. Sri Harimandir Sahib Da Sunehri Itihaas. Dharam Prachar Committee, SGPC. Amritsar. 1991

Singh, Mohinder and Sondeep Shankar. Maharaja Ranjit Singh. NIPS New Delhi. 2002

Singh, Mohinder and Sondeep Shankar. The Sikh Wedding. NIPS New Delhi.2004

Singh, Mohinder and Sondeep Shankar.Gurdwaras in India and Pakistan. NIPS New Delhi 2004

Singh, Pashaura. The Guru Granth Sahib. Canon, Meaning and Authority. Oxford. 2000

Singh, Patwant and Gurmeet Thukral. Gurdwaras in Indian and around the World. Himalayan Books. New Delhi. 1992

Singh, Patwant. The Golden Temple. ET. Hong Kong. 1989

Singh, Principal Satbir. Album Central Sikh Museum. SGPC Amritsar. 1991.

Virdee, Pippa. Coming to Coventry. Cov. PCT & The Herbert. Coventry. 2006.

Websites

Guru Nanak Sikh Museum. Leicester. UK. http://www.thesikhmuseum.com/home.htm

Western Sikh Students' Association http://www.westernssa.com/gallery/thumbnails.php?album=19

Sikh Heritage UK http://www.sikh-heritage.co.uk

Flickr http://www.flickr.com/

If I have used your picture and not given you credit please post your details and I will give you a credit or remove the picture if you wish.

Gurfateh !

This might help - This is the response I got when I asked the same question - a long time ago !

http://www.sikhawareness.com/sikhawareness...ghlight=shastar

About the rust - you could use

* a brillo pad /

* lemon juice mixed with salt or sugar

* sand (thats what they use in India)

or you could use what I use and that's 'Bar Keepers Friend'

http://www.homecareproducts.co.uk/bkf.htm

as it's a concentrated powder it will make all sarbloh shine - no more 'orange ring' around your arm from a rusty kara !

It works on everything - even on the most rusty 'Shastar'

Whatever you use - enjoy performing this beautiful sewa of your Shastar - It is a form of 'abhiaas' - a metaphor for removing the rust from one's mind - as Sahib Sri Guru Arjan Dev Ji has written in Raag Gujri ;

Ang 498

ਗੂਜਰੀ ਮਹਲਾ ੫ ॥

Goojaree, Fifth Mehl:

ਦਿਨੁ ਰਾਤੀ ਆਰਾਧਹੁ ਪਿਆਰੋ ਨਿਮਖ ਨ ਕੀਜੈ ਢੀਲਾ ॥

Worship the Lord in adoration, day and night, O my dear - do not delay for a moment.

ਸੰਤ ਸੇਵਾ ਕਰਿ ਭਾਵਨੀ ਲਾਈਐ ਤਿਆਗਿ ਮਾਨੁ ਹਾਠੀਲਾ ॥੧॥

Serve the Saints with loving faith, and set aside your pride and stubbornness. ||1||

ਮੋਹਨੁ ਪ੍ਰਾਨ ਮਾਨ ਰਾਗੀਲਾ ॥

The fascinating, playful Lord is my very breath of life and honor.

ਬਾਸਿ ਰਹਿਓ ਹੀਅਰੇ ਕੈ ਸੰਗੇ ਪੇਖਿ ਮੋਹਿਓ ਮਨੁ ਲੀਲਾ ॥੧॥ ਰਹਾਉ ॥

He abides in my heart; beholding His playful games, my mind is fascinated. ||1||Pause||

ਜਿਸੁ ਸਿਮਰਤ ਮਨਿ ਹੋਤ ਅਨੰਦਾ ਉਤਰੈ ਮਨਹੁ ਜੰਗੀਲਾ ॥

Remembering Him, my mind is in bliss, and the rust of my mind is removed.

ਮਿਲਬੇ ਕੀ ਮਹਿਮਾ ਬਰਨਿ ਨ ਸਾਕਉ ਨਾਨਕ ਪਰੈ ਪਰੀਲਾ ॥੨॥੪॥੧੩॥

The great honor of meeting the Lord cannot be described; O Nanak, it is infinite, beyond measure. ||2||4||13||

Natty - Cold Town

have any of you listened to this ?

What do you think of the lyrics ? - some would say they are spot on.

"Take what u can from the English man and build yourself palace back in Pakistan"

Natty - Cold Town

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

Mama said you were a serial killer

But I did not believe her

Until I saw your face in the paper

Look just like my next door neighbour

When they say about brotherly love

Come on and give a hoodie a hug

No don’ be shy

Don’t be shy

They don’t bite

They don’t bite

Dreadlocks moving in around the corner

Put the kettle on and invite him over

And anything you wanna borrow

Please don’t bother

Be good to him today

And he’ll be good to you tomorrow

Singin

Saying oh oh oh see how we live our lives

Oh oh oh oh oh living on different sides

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

Maybe mama was afraid of the unknown

So we only ever tasted the homegrown

No sticks no seeds

No Blacks no Irish please

See these, illegal African taxis

Got to dial up my call centres overseas

Take what you can from the English man

Then you build yourself a palace back in Pakistan

Saying oh oh oh thank you your majesty

Saying woah oh oh come out and visit me

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

Gonna tell my mum I wanna quit my job

I wanna move to the countryside

Dont know what my mama gonna say

But I’ma tell her it will be alright

Cos this town a lick you down down

A lick you down down

Man a man I need to survive

Next time you gonna see me

I’ll be chilling on a hill side

Right

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

This Cold Town is too hot for man like I n I

Its No place for I n I

No place for I n I

Shaheediyan Bhai Sahib - Can you imagine how long it took for the Nihang Singh Sahib in your Avatar picture to tie his Dumalla ? it is so perfect and neat.

The picture's from Sanzen's flickr collection isn't it ? - every single Hola picture is a classic isn't it - He should publish them or make them available to buy.

Thanks for your kind words (as always)

ਵਾਹਿਗੁਰੂ ਜੀ ਕਾ ਖਾਲਸਾ

ਵਾਹਿਗੁਰੂ ਜੀ ਕੀ ਫਤਿਹ

ਰੋਮ ਰੋਮ ਰਸਨਾ ਜੳ ਪਾਵਹੁੰ |

ਤਦਪਿ ਨ ਖਾਲਸ ਜਸਹਿ ਤ ਗਾਵਹੂੰ |

ਹੌਂ ਖਾਲਸੇ ਕਉ ਖਾਲਸਾ ਮੇਰੋ |

ਓਤ ਪੋਤ ਸਾਗਰ ਬੂੰਦੇਰੋ |

ਖਾਲਸਾ ਅਕਾਲ ਪੁਰਖ ਕੀ ਫੌਜ |

ਪ੍ਰਗਟਯੋ ਖਾਲਸਾ ਪ੍ਰਮਾਤਮ ਕੀ ਮੌਜ |੫੨੭|

If one had as many tongues as the hairs on one's body, yet they would still be insufficient to sing the praises of the Khalsa.

I am the Khalsa, the Khalsa is mine; the relationship is as the ocean and it's individual drops of water.

The Khalsa is the army of Akaal Purakh; The Khalsa emerged as the joy of God (Paramatam) !

Guru Gobind Singh - Khalsa Mehma - Sri Sarb Loh Granth.

Vaheguru Ji Ka Khalsa Vaheguru Ji Ki Fateh !

Warm Greetings to all on this Vaisakhi Weekend !

To mark the occasion I am posting a Kabitt Swaiya of Bhai Gurdas Ji , Kabitt Swaiya number 673. (page 655 in Amrit Keertan)

The video is around twenty years old (apologies for the poor quality) and features Bhai Harbans Singh (Jagadhri ) at Gurdwara Nanak Piaoo, Delhi in around 1988.

This Kabitt - 'Panch Baar Gang Jaey' has always been a favourite of mine - a celebration of selfless Sewa. This rendition includes beautiful Sakhis including some relating episodes from the lifes and Sewa of Guru Nanak Sahib , Guru Angad Sahib, Guru Arjan Sahib and Keertani Bhai Sham Singh Sewapanthi.

Click link to see video ;

http://video.google.co.uk/videoplay?docid=...03&hl=en-GB

Here are 3 interpretations of this Kabitt

* from 'Kabitt Bhai Gurdas - Steek' - Bhai Vir Singh - Bhai Vir Singh Sadan - 2000 edition - page 210

* from 'Kabitt Swaiye Bhai Gurdas Ji - Steek - Bhai Sewa Singh - Singh Bros - 1996 - page 392

* from Kabitt Swayye Bhai Gurdas Ji - Shamsher Singh Puri - Singh Bros - 2007 - page 701

Enjoy this beautiful Kabitt

Hope you all have a Wonderful Vaisakhi !

Pyar Naal,

Ranjit Singh 'Freed'

Nothing wrong with Hamming it up every now and again Luvvie !

Thanks for the reply - The picture came from Corbis.com

This is the low resolution version - you can buy the high resolution image and the rights to use it from corbis.com

Here are the details

42-18223517| RM| © Kazuyoshi Nomachi/Corbis

Sikh Sadhus Arriving at Kumbh Mela by Horse

Image: © Kazuyoshi Nomachi/Corbis

Photographer: Kazuyoshi Nomachi

Date Photographed: January 13, 2007

Location Information: Allahabad, India

Thanks again Mate !

Gurfateh !

Echoing 'Malwe Da Sher' Bai ji's sentiments in his recent post ---

"Something cheerful for once instead of the recent gloom... "

Here is something a bit more inspirational than all the gloom and hatred that has descended on SA of late - a picture I found recently - it is titled 'Sikh Sadhus Arriving at Kumbh Mela by Horse 2007'

I think it is a wonderful image - evocative of the original Nirmaley being sent out by Guru Sahib "for the propagation of Gurmat updesh, adhyatmic gyan, Brahmvidya and dharma" (Tirath Singh Nirmala 2006 - Bhavrasamrit Teeka.)

Beautiful .....

Perhaps tSingh Bhai Sahib or Kam1825 Bhai Sahib could shed some light on who the individual 'Sadhus' are ?

Enjoy !

Freed

But be careful you may get more than you bargained for if you ask a Nihang for 'Chaata' or as they say 'Chaataa Shakauni' - it is a well used euphemism for administering a good beating - you might end up in hospital !

Gurfateh !

Coming back to the topic .....

Here is an interesting 19th century watercolour from the Government Museum and Art Gallery, Chandigarh.

It shows the tent mentioned in the above document - however it also shows Guru Sahib riding alone to the pyre.

Many have speculated on the need for a tent, some argue it was to prevent Sikhs from jumping into the pyre. I believe Namdharees argue that it was an elaborate method or 'ruse' to 'escape' or 'leave to appear again' in the same vein as the leaving of Chamkaur fort. (Please correct me if I am wrong Fateh Singh Ji)

The painting shows Guru Sahib riding into the tent , while some accounts say the Punj Pyaras carried Guru Sahib's body and placed it on the pyre, while others state Guru Sahib sat on the pyre himself and asked his Sikhs to leave the tent.

While there is no definitive account or text , I feel the painting is acceptable to all traditions.

Bhul Chuk Maaf

*from Marg. Vol. 54 No. 4. - June 2003 pg 12

Freed

Vaheguru Ji ka Khalsa Vaheguru ji ki Fateh !!

Greetings and Good wishes to all on the Avtar Purb of Shamsher Pita, Sahib Sri Guru Gobind Singh Ji, Panth ke Wali, Kalgidhar ji Sache Patshah !

A 'Hukum Khaas Furman' - a special injunction, bearing the signature of Guru Tegh Bahadur Sahib - issued to the Sangat of Patna for their help to the Guru's family on the birth of Gobind Rai.

Details ;

Takht Patna Sahib

*Pictures from Gurdwaras in India and Pakistan - Mohinder Singh S Shankar - NIPS - 2004

From the Diwan of Bhai Nand Lal 'Goya'

* from The Pilgrim's Way - Diwan of Bhai Nand Lal Goya - B P L Bedi - PUP - 1999

From the Ganj Nama of Bhai Nand Lal

* From Bhai Nand Lal Granthawali - Ed. Ganda Singh - PUP - third ed 2000

ਦੋਹਰਾ ॥

ਨਾਨਕ ਗੁਰੂ ਗੋਬਿੰਦ ਸਿੰਘ ਜੀ ਪੂਰਨ ਗੁਰ ਅਵਤਾਰ॥

ਜਗ ਮਗ ਜੋਤਿ ਬਿਗਾਸ ਰਹੀ ਸ੍ਰੀ ਅਬਿਚਲ ਨਗਰ ਅਪਾਰ॥

ਸਚਖੰਡ ਦੇ ਦਰਬਾਰ॥

(arta - sri Hazoori Rehraas Sahib)

GurFateh !

Ranjit Singh 'Freed'

I am touched by the proposal , 1santkhalsa ji ! - but I think my wife might have something (in fact A LOT ) to say if I embarked on a 'Dooja Viaah'

It's always Nice to be appreciated though.

Gurfateh !

Freed

Gurfateh !

The frescoes date from around 1890 AD - the majority being painted by Mehtab Singh.

Many have been lost - in 1971 the remaining frescoes were 'Renovated'. However the colours and methods used were totally unsuitable to the environment, structure and ambient conditions of the building, as well as ignoring the very particular traditions of Indian fresco painting, with regards to colour palatte and colour manufacture.

Mehtab Singh Naaqsh ( born 1871) - Fresco painter - Baba Atal Rai Tower

Hope that helps

Freed

Waheguru ji ka Khalsa

Waheguru ji ki Fateh !!

In Eternal Respect, Love, Honour and Homage to Baba Ajit Singh Ji , Baba Jujhaar Singh Ji , Baba Zorawar Singh Ji and Baba Fateh Singh Ji.

Here are a collection of images and a ' Pracheen ' Jang-Nama by an unknown author - edited by Shamsher Singh Ashok from the original Puratan Manuscript.

Early 19th Century Pahari watercolour from the workshop of Purkhu - Guru Gobind Singh Ji with the Four Princes - The Sahibzadas

Guru Gobind Singh and The Sahibzadas - mid 19th Century watercolour

Gilded Panels from Gurdwara Baba Atal Rai Sahib, Amritsar.

Guru Gobind Singh Mata Ji and the Sahibzadas

The Beloved Sahibzadas

Frescoes from the walls of Gurdwara Baba Atal Rai Sahib , Amritsar

Baba Sahib Ajit Singh

Baba Sahib Jujhaar Singh

Sahib Baba Zorawar Singh and Sahib Baba Fateh Singh

Late 19th century - The four sons of Guru Gobind Singh

Kirpal Singh paintings from the Central Sikh Museum, Amritsar

Battle of Chamkaur - Sahib Baba Ajit Singh

Sahib Baba Jujhaar Singh

Sahib Baba Ajit Singh - Central Sikh Museum Amritsar

Garhi Sahib - Chamkaur Sahib - site of the Battle of Chamkaur

Devender Singh paintings - from Saka Chamkaur (published 1979)

Ram Waeerker painting from the 'Amar Chitra Katha' 1970s comic 'Guru Gobind Singh'

Gurdwara Pariwar Vicchora on the banks of the Sirsa - site of the separation of Guru Sahib from his family

Devender Singh painting of the 'Thanda Burj'

1960s Calendar prints

Devender Singh paintings from 'Nikkian Jindan Vadda Saka' - published 1977

Gurdwara Fatehgarh Sahib - site of the Shahidi of the Cchote Sahibzaday

Interior

Jor Mela - Fatehgarh Sahib

Pracheen Jang-Nama from 'Pracheen Vaaran Te Jang-Namey' - S Shamsher Singh Ashok - Sikh Itihaas Research Board SGPC - 1950

These Short films pay homage to the Shaheeds of Saka Chamkaur and Saka Sirhind.

This first film is "Dassien Kalgi Waleya Ve" - Sung by Satwinder Bitti - lyrics - Kewal Singh Fauji

Click link to see the clip;

http://video.google.co.uk/videoplay?docid=...30&hl=en-GB

This Film is "Kalgidhar Panth Pyaare Da" - sung by Satwinder Bitti - It has beautiful lyrics by Charan Singh Safri - the line "Bijli payi Lishka mardi eh - Disdi paye Laash Jujhaar di " and the visual of 'Dekh ke Undith' is particularly heart rending.

Click link to see the clip;

http://video.google.co.uk/videoplay?docid=...54&hl=en-GB

This Video is of The Nabhe Vale Bibbiyan and Balwant Singh Premi - "Putran da Daniyan Dhan Kurbanyian"

Click link to see the clip;

http://video.google.co.uk/videoplay?docid=...22&hl=en-GB

Hope you enjoyed the post

GurFateh !

Ranjit Singh 'Freed'

Gurfateh !

With all the recent 'brouhaha' over the installation of a portrait of Sant Jarnail Singh Bhindranwale in the Central Sikh Museum ;

http://www.tribuneindia.com/2007/20071130/main4.htm

Here is something I thought you might like - I found it among some old books and papers.

It's a sticker for your car - made by some Sikhs from Gravesend UK - it was given out free during one of the many Protest Marches of 1984.

I remember seeing quite a few cars with these stickers on them in the 1980s.

Here is a picture of the sticker

Enjoy !

Ranjit Singh 'Freed'