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kelari

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Everything posted by kelari

  1. most of anyones questions should have been answered by my last post. i think.
  2. we know the guru ramdas jee wrote the lavan to replace vedic scripture but whos wedding were they first sang?
  3. www.bwtorrents.com Is anybody a actual member of this website. The bollywood torrents actually has some very useful files that I need to download and some especiallly good tabla and classical indian music that desi torrents doesnt have. Please let me know if you can give me an invite if you are a member. I reallly need one.
  4. amazing video. especially roop singh. really inspiring. But does anybody know whether the singhs of the guys side are actual nihang singhs that have vidiya and proper tradition or they are simply nihang khalsa bana wearing singhs that look like nihangs. ? just wondering.
  5. Khalsa Bir-Ras Shastar Vidiya Institute of Sikh Martial Heritage info@shastarvidiya.org info@nihang.com An Introduction To Sikh Shaster Vidiya Shaster (weapon) Vidiya (knowledge or science) was essential military training for the Sikh warrior - the Akali Nihung Singh Khalsa. The present day descendants of the Akali Nihungs, the Budha Dal, trace the origins of Sikh Shaster Vidiya to the founder of the religion, Guru Nanak himself. According to their oral tradition, Guru Nanak was summoned to the divine court of God where, alongside receiving the holy Gur mantra, Vah Guru, he also received Shaster Vidiya. Guru Nanak passed this martial knowledge on to his trusted Sikh, Baba Budha Ji, with the stated intention of claiming it back in his sixth form. It was the sixth Guru, Guru Hargobind, who received Shaster Vidiya from Baba Budha Ji at an early age. Baba Budha Ji also trained an army of twenty two hundred Sikh warriors who were the soldiers of the Akal Boongah (the Immortal Fort, built in 1606), and known as the Akalis (Immortals). The Akali army was called the Akal Sena or Akal Fauj but was informally known as the Budha Dal or army of Baba Budha Ji. It's primary function was to defend Sikhism and all who sought the protection of the Sikhs from the then oppressive Mogul empire which had tor-tured and executed the fifth Guru, Arjandev. It was his son, Akali Guru Hargobind with his army of Akalis engaged the Mogul forces in four battles and gained four successes. With successive Gurus after Guru Hargobind, the Akal Sena was maintained in its original form until time of the tenth Guru, Akali Gobind Singh Ji. At some time before creation of the Khalsa in 1699, he altered the structure of the Akal Sena with the effect that, from then on, only a high ranking soldier of the Akali Sena was to be known as an Akali. A low ranking soldier was designated Nihung, or one who is not attached to life nor fears death. He quickly realised that in order to defend Sikhism it would not be enough just to rely on the Akal Sena so he decided to make the whole of the Sikh nation (with exception of certain Sikh groups such as the Udasis, Sewa Panthis and the Nirmalas) into a martial nation. Thus, in 1699, the Akali Nihung Singh Khalsa came into being. After Guru Gobind Singh, it was a successful Khalsa, led by the Akali Nihung Singhs, who fought a life and death struggle for nearly a hundred years against both the Mogul Empire and the invading Afghans hordes. They forged out independent kingdoms in the far-reaching region of the Punjab in the late 18th century. Even when the great Sikh kingdom of Maharaja Ranjit Singh fell to the British Empire in the hard-fought Anglo Sikh wars (1845-46 and 1848-49), the majority of Sikhs, to this day, know it was not their ancestors' mar-tial prowess which let them down. The historic evi-dence strongly points to the fact that they actually won on the fields of battle but lost the wars due to betrayal of their treacherous Dogra Generals. Following the annexation of the Punjab in 1849 and the establishment of the British Raj, the traditional Sikh martial traditions and practitioners suffered greatly. In order that the British authorities could establish their Raj in the Punjab, they adopted several severe meas- ures, the most significant of which was the effective disarmament of the whole of the Sikh population. Even every-day tools and farming implements which could be used as weapons were banned. A few, such as the Akali Nihungs , who refused to surrender their weapons were hunted down and killed or driven into hiding by the British authorities. It was at this critical juncture that the traditional martial knowledge, Shaster Vidiya, previ-ously maintained to a high standard by the Sikhs, almost ceased to exist in the Punjab. In 1857, the Indian Mutiny erupted. By that time, the British had significantly crushed all resistance to their Raj in the Punjab. Sikhs who had collaborated with the British had been fully established as the leaders of the "new" Sikh nation. Thus, in 1857, the Sikhs on whole greatly assisted the British in crushing the mutiny. As a consequence of the martial assistance provided by the Sikhs, restrictions on martial practices were relaxed in the Punjab but tightened in North Eastern provinces of India where the mutiny had been strongest. However, the Shaster Vidiya which re-emerged after 1857 in the Punjab had changed. This new form of Shaster Vidiya was a product of the changing times which had also seen the general Sikh populace of that period begin to accommodate the British Raj by divorcing itself from the sanatni boh-Panthi (traditional pluralistic) Sikhism of the pre-British period. There was a stark contrast between this pluralistic Sikhism (consisting in the main of Udassis, Seva Panthis, Nirmalas and Akali Nihung Singhs) and the British Raj-accommodating Sikhism, or Angrej Sikhi, which was later developed and encour-aged by the Tat Khalsa Singh Sabhias. The new Shaster Vidiya was no longer the lethal art designed to produce soldiers to defend the Sikh nation. Instead, during the 1860s, it had evolved into an inof-fensive and ritualistic martial art popularly known as Gatka (derived from the name of the main weapon used, the sword training stick). Gatka was mainly practised in the barracks of the British Indian army and was diligently taken up by Sikh and other Indian soldiers. Later, as Sikh colleges opened in the Punjab during the 1880s, European rules of fencing began to be applied to Gatka. This innovation led to two forms of Gatka developing, namely rasmi (ritualistic) and khel (sport) Gatka. After first speaking of the great Shaster Vidiya of the past, the historian, Giani Gian Singh, lamented the state of the Vidiya in the 1890s: "There was talk of such a science of archery and stick fighting only a few years ago in the Punjab that hearing about it, the English-educated young (Sikh) men will consider it astonishing… In sincerity, I believe that the young men of today might just consider these skills and Shaster Vidiya generally an impossibility because they have not even seen those bows, never mind having strung them. Similarly, many sciences and skills have declined after attaining their heights. Before 1857, many quivers full of arrows, matchlocks, flintlock guns, swords, lances, spears, sang (long metal lance), katars (punch daggers), peshkabj(Afghan armour-piercing dagger), pis-tols, shields and other weapons, armour and many types of chain mail were found in every house. All the people in theirhomes both learnt and taught Shaster Vidiya and became complete soldiers. "Now no one even speaks of these skills and the sons of brave warriors are becoming engrossed in making money. Even to those of us who have employed Shaster Vidiya, it is becoming as if it were a dream. In another fifty years or so this Vidiya will have dried up and people will say it was but all lies." ('Twarikh Guru Khalsa' , Vol.1 , pgs 36-37) Apart from putting the date of the decline of Shashter Vidiya a decade or so after the annexation of the Punjab (so as not to offend the British-backed patron, the king of Patiala), all that Giani Gian Singh writes is correct. The main ingredient that Gatka lacked (which made Shaster Vidiya a true battlefield art) was chatka (to kill with a single decisive cut, shot, blow or wrench- ing motion). A veteran of the Anglo-Sikh wars, Akali Nihung Baba Sawan Singh Bangroo of the Budha Dal, has been credited to have single-handily kept alive the original traditions and principles of chatka. To distinguish his Vidiya from the then popular sport and ritualised forms of Gatka, he termed his Shashter Vidiya, Chatka Gatka, which he passed on to his select shigirds (students). This Chatka Gatka (also known as Chatka Vidiya) is not merely an amalgamation of ancient Indian or Sikh fighting techniques and strata-gems. It is a complete military scientific system which traces it's origins back to Sat Yuga (the first of the clas-sical Indian ages or eras) through it's khat-ang pentra (the six forms of battle strategy). It took years of dedi-cation to master under the tutelage of a good Ustad (teacher). Chatka Vidiya is composed of the following three ele-ments (shown in order of importance and priority): 1. Bbeck-abbeck dee katha - The paradoxical philosophy which grants mokhsh (salvation). 2. Ithaasak shatria maryada - Historical martial traditions which harness martial spirit and give the context to battle (before fighting it is important to know what to fight for). 3. Dao pech - Traditional Sikh martial techniques com-prising both platha-baji (unarmed combat) and ayudh vidiya (hand-to-hand weapon combat). As mentioned above, Giani Gian Singh had predicted that Shashter Vidiya would become extinct by the 1940s. His prediction has almost come true. At present, the ritualistic and sport forms of Gatka flourish (in a manner of speaking) within the Sikh community, both in India and in the diaspora. Being dismissive of Shaster Vidiya/Chatka Gatka, some have begun to refurbish their Gatka repertoire with techniques from other mar-tial arts, including Japanese, Chinese, Filipino systems, in an attempt to create an effective fighting art. This will ultimately only serve to undermine the uniqueness of Shaster Vidiya and associated Khalsa warrior tradi-tions (e.g. the study and worship of the knowledge contained in the Dasam Gur Granth and Sarbloh Gur Granth of Guru Gobind Singh, which teach the princi-ples of Shaster Vidiya). The original Chatka form of Shashter Vidiya, the mili-tary system to which Giani Gian Singh referred to, is now almost extinct and its knowledge is known to pos-sibly only a handful of Akali Nihung Singhs and even fewer Udassis. However, with the sanction of the 13th Jathedar of the Budha Dal, Akali Nihung Baba Santa Singh, a resurgence of this traditional Sikh combat sys-tem has recently begun in England. Chatka Gatka Ustad Nihung Nidar Singh Das Shironmi Akali Nihung Singh Khalsa Panth Budha Dal (Taken from a Adobe Acrobat File named Education of a Sikh Warrior) If you can tell me a way to add a adobe file to the message board I will.
  6. i didnt mean to sound insulting. Jeet Kune Do is highly respectable. But I do think that Tommy C. the guy in the video doesn't have the capability to beat Niddar Singh. But that is besides the point. Sikher, thats the best and an awesome way to look at it. I like your perspective. thanks.
  7. you may not think so, but the speed and agility that niddar singh has is far swifter than this guy. honestly. hes QUIICK. This guy uses several common martial artisitic concepts of fighting but through one of his finger jabs or anything else he does, none of these guys can pass by loh mushti. They'll completley shatter your wrist before you attack. But even withought the use of loh mushti in simple platha hand to hand combat niddar singh has the intellegence needed in fighting. That is why he has not been defeated through his open challenge. The challenge was even put in englands top martial arts magazine last year.
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